{"id":5447,"date":"2023-03-15T14:14:11","date_gmt":"2023-03-15T14:14:11","guid":{"rendered":"https:\/\/amnewsworld.com\/?p=5447"},"modified":"2023-03-15T14:14:11","modified_gmt":"2023-03-15T14:14:11","slug":"the-south-american-struggles-on-display-in-london","status":"publish","type":"post","link":"https:\/\/www.amnewsworld.com\/fi\/the-south-american-struggles-on-display-in-london\/","title":{"rendered":"The South American struggles on display in London"},"content":{"rendered":"<p>An exhibition showcasing the work of several\u00a0<strong>African-American artists<\/strong>\u00a0opens this week in London&#8217;s\u00a0<a href=\"https:\/\/www.royalacademy.org.uk\/exhibition\/souls-grown-deep\"><strong>Royal Academy of Arts<\/strong><\/a>.<\/p>\n<p><strong>&#8220;Soul Grown Deep like the Rivers&#8221;<\/strong>\u00a0brings together\u00a0<strong>64<\/strong>\u00a0works by\u00a0<strong>34<\/strong>\u00a0artists, who explore the difficult history of being Black in the\u00a0<strong>American South<\/strong>.<\/p>\n<p>&#8220;These artists were largely born during the first half of the 20th century, active during the mostly second half of the century in the American South. Black artists, most of them descendants of enslaved forebears who had suffered through, of course, also the segregation that dominated the South after the Civil War, the legacy of enslavement, the sort of harrowing violence and abuse that they experienced, and social disadvantage, economic disadvantage&#8221;, said\u00a0<strong>Axel R\u00fcger<\/strong>, Chief Executive of the\u00a0<strong>Royal Academy of Arts<\/strong>\u00a0in London&#8217;s West End.<\/p>\n<p>The struggles of\u00a0<strong>oppression<\/strong>,\u00a0<strong>racism<\/strong>\u00a0and\u00a0<strong>social exclusion<\/strong>\u00a0influence the artists\u2019 works.<\/p>\n<p>But so do their cultural traditions:\u00a0<strong>music<\/strong>,\u00a0<strong>religion<\/strong>\u00a0and\u00a0<strong>stories<\/strong>\u00a0handed down from their African forefathers.<\/p>\n<p>Most artists, such as\u00a0<a href=\"https:\/\/www.lonnieholley.com\/\"><strong>Lonnie Holley<\/strong><\/a>, had no formal artistic training.<\/p>\n<p>&#8220;We had to do extra hard because we were considered to be slaves. (&#8230;) We were considered to be the thrown away parts of humanity (&#8230;)&#8221;, recalls artist\u00a0<strong>Lonnie Holley<\/strong>.<\/p>\n<p>The artist brought to London the chair that his grandfather used and that was subsequently turned into a work of art (<em>Spirit of the Man by the Chicken House Door<\/em>,1984, by\u00a0<strong>Lonnie Holley<\/strong>, Ed.)<\/p>\n<p>&#8220;When my grandfather came from the war,\u00a0<strong>World War I<\/strong>, he was so careful and caring for us that he would sit up all night sometimes, just protecting the chickens in the chicken house (&#8230;) , I try to show how we have lived with what we have&#8221;, said the artist.<\/p>\n<p>Most of the artworks on display come from the\u00a0<a href=\"https:\/\/www.soulsgrowndeep.org\/\"><strong>Souls Grown Deep Foundation<\/strong><\/a>, an organization in Atlanta that advocates for Black artists from the South.<\/p>\n<p>&#8220;I think there really is a thirst for people to want to know about different histories and different perspectives. And I think this is what that exhibition will offer to them&#8221;, said art critic\u00a0<strong>Tabish Khan<\/strong>.<\/p>\n<p><strong>&#8220;Soul Grown Deep like the Rivers: Black Artists from the American South&#8221;<\/strong>\u00a0runs from March 17 to June 18.<\/p>\n<p><strong>AMN | Reporters | Culture.<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>An exhibition showcasing the work of several\u00a0African-American artists\u00a0opens this week in London&#8217;s\u00a0Royal Academy of Arts. &#8220;Soul Grown Deep like the Rivers&#8221;\u00a0brings together\u00a064\u00a0works by\u00a034\u00a0artists, who explore the difficult history of being Black in the\u00a0American South. &#8220;These artists were largely born during the first half of the 20th century, active during the mostly second half of the<\/p>","protected":false},"author":1,"featured_media":5448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":{"twitter_1160854738579181570_1160854738579181570":"","facebook_3558452337540614_100649324928663":""},"rop_publish_now_history":[],"rop_publish_now_status":"pending","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[201,19],"tags":[],"class_list":{"0":"post-5447","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-tw-architecture","8":"category-entertainment"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The South American 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